Thursday, December 23, 2010

New Acquisitions: December 23, 2010

The following are new pieces that we have added to the Music Library since October 7. These new pieces were performed at one of the Area All State Zone performances or were acquired for this winter's MCSMA All-County festivals.

Band
  • Cedar Valley March by Steve Hodges (Alfred/2 sets) (N-1520)
  • Colorado Peaks by Dana Wilson (Boosey & Hawkes/Hal Leonard/2 sets) (N-1519)
  • The White Rose March by John Philip Sousa, arranged by Keith Brion (Southern Music/1 set) (N-1515)
Chorus

  • Bloom by Philip Silvey (Santa Barbara Publishing/SSA/120 copies) (C-2356)
  • The Human Heart (From Once On This Island) by Stephen Flaherty & Lynn Ahrens, arranged by Andy Beck (Alfred/SATB/135 copies) (C-2309)
  • The Impossible Dream by Mitch Leigh and Joe Darion, arranged by Mac Huff (Cherry Lane/1 set) (C-2358) (for SSA Choral Voicing, C-1739)
  • Into the Night by Joel Raney & John Parker (Heritiage Music Press/SATB/135 copies) (C-2308)
  • Jinny, Git Around, Traditional Folk Meody, arranged by Nathanial Garris (Hinshaw Music/SATB/169 copies) (C-2366)
  • Living in a Holy City by Stephen Hatfield (Boosey & Hawkes/Hal Leonard/SSAA/120 copies) (C-2357)
Orchestra
  • Jupiter Bringer of Jollility by Gustav Holst, arranged by Vernon Leidig (Alfred/1 set) (R-0823)
Strings
  • Don't Stop Believin' by Jonathan Cain, Neil Schon & Steve Perry, arranged by Bob Phillips (Belwin/Alfred/3 sets) (S-0219)
Jazz Band
  • Black and Tan Fantasy by Duke Ellington & Bubber Miley (Alfred/1 set) (J-0230)
  • The Chant by Victor Feldman, arranged by Mark Taylor (Hal Leonard/1 set) (J-0233)
  • Down for Double by Freddie Green, arranged by Rick Stitzel (Hal Leonard/1 set) (J-0232)
  • Night in Tunesia by Mario Bauza, arranged by Michael Philip Mossman (Hal Leonard/1 set) (J-0229)
  • Vine Street Rumble by Benny Carter (Sierra Music/1 set) (J-0231)
 Jazz Vocal
  • Hey! Ba-ba-re-bop by Lionel Hampton & Curly Hammer, arranged by Steve Zegree (Hal Leonard/SATB/25 copies) (V-0060)
  • Hey! Ba-ba-re-bop by Lionel Hampton & Curly Hammer, arranged by Steve Zegree (Hal Leonard/I-Pak/1 set) (V-0060)
  • I've Grown Accustomed To Her Face by Alan Jay Lerner & Frederick Lowe, arranged by Steve Zegree (Hal Leonard/SATB/25 copies) (V-0061)
  • Like Someone in Love by April Arabian-Tini (Shawnee Press/SATB/25 copies) (V-0059)
  • Voice Dance III by Greg Jaspers (Shawnee Press/Hal Leonard/SATB/25 copies) (V-0058)

Thursday, December 16, 2010

Dramatics Magazine Announces the 10 Most Performed Musicals & Plays in High Schools

Dramatics Magazine has announced their annual lists of the ten most performed musicals and plays in North American high schools.

Disney's Beauty and the Beast is the most performed in the Musicals category, the same as in the 2008-09 survey.  It's followed by Seussical and a tie between Into the Woods and Grease.  New to this year's list are Footloose and The Wizard of Oz while the shows Little Shop of Horrors (last year's number 2) and Guys and Dolls (5) fell from the top ten.

The 2009-10 top ten with the shows 2008-09 rank in parenthesis.
  • 1. (1) Disney's Beauty & the Beast
  • 2. (7) Seussical
  • 3. (Tie) (4) Grease
  • 3. (Tie) (8) Into the Woods
  • 5. (-) Footloose
  • 6. (Tie) (-) The Wizard of Oz (multiple adaptations)
  • 6. (Tie) (8)You're a Good Man Charlie Brown
  • 8. (10) The Music Man
  • 9. (5) Once Upon a Matress
  • 10. (3) Thoroughly Modern Millie
The full-length play list is topped by John Cariani's Almost, Maine which is new to the list this year as are Neil Simon's Fools and A Christmas Carol.  Falling from the top ten are Neil Simon's Rumors (2 last year), The Curious Savage, Harvey and The Miracle Worker (because of ties there were 12 plays listed in 2008-09).
  • 1. (-) Almost, Maine
  • 2. (1) A Midsummer Night's Dream
  • 3. (4) You Can't Take It With You
  • 4. (7) Noises Off
  • 5. (7) Twelve Angry Men
  • 6. (Tie) (7) Alice in Wonderland (various adaptations)
  • 6. (Tie) (3) The Crucible
  • 6. (Tie) (10) Our Town
  • 9. (Tie) (-) Fools
  • 9. (Tie) (-) A Christmas Carol (various adaptations)
Finally, in the category of short plays, Jonathan Rand's Check Please leads the list as it did in 2008-09.  New to the list are 13 Ways to Screw Up Your College Interview, Competition Please and How to Succeed in High School Without Really Trying.  Falling out of the top ten from 2008-09 are Bang, Bang, You're Dead (last years number 2), 15 Reasons Not to Be in a Play (4), The Seussifacation of Romeo & Juliet (6), Dinner With the MacGuffins (10) and The Least Offensive Play (10) (because of ties there were 12 short plays listed in 2008-09).
  • 1. (1) Check Please
  • 2. (6) Check Please: Take 3
  • 3. (Tie) (6) The Actor's Nightmare
  • 3. (Tie) (-) 13 Ways to Screw Up Your College Interview
  • 5. (3) Check Please: Take 2
  • 6. (Tie) (10) The Brothers Grimm Spectaculathon
  • 6. (Tie) (6) Hard Candy
  • 8. (Tie) (-) Competition Please
  • 8. (Tie) (-) How to Succeed in High School Without Really Trying
  • 10. (5) This is a Test

RACAME Announces 8th Annual Workshop Day

The Rochester Area Council of Administrators of Music Education (RACAME) has announced their 8th Annual Workshop Day for Thursday, January 27 from 8:30 AM to 3:30 PM at Penfield High School in their new music wing.

This year's Keynote Speaker is Dr. Bill Destler, President of RIT and the theme is Music Education for the 21st Century.

The fee for the day is $80 ($45 for college students and student teachers) and includes materials, a continental breakfast and lunch.  The registration deadline is Friday, January 7.

Below is information supplied by RACAME for the workshop.  Click on each page to get a full size view.

Tuesday, October 26, 2010

The NAMM Foundation Launches Benefit Album to Put More Musical Instruments in Kids’ Hands

CARLSBAD, Calif.--(BUSINESS WIRE)--Former Arkansas Governor and part-time bass guitar player Mike Huckabee recently launched a new benefit album called “I Wanna Play!: An Album to Put Musical Instruments into the Hands of Every Child in America” on his weekly news commentary show. Platinum recording artist and songwriter Aaron Tippin and producer James Stroud led the charge on this project at Gov. Huckabee’s suggestion.

They jointly selected the impressive list of participants, including Aaron Tippin (“I Wanna Play” written by Aaron and Thea Tippin), Lorrie Morgan (“You Are So Beautiful”), John Anderson (“Swingin”), George Jones (“Amazing Grace”), Neil Sedaka (“Laughter In The Rain”), Ray Price (“Danny Boy”), Ronnie Milsap (“Honky Tonk Women”), Darryl Worley (“Katie’s Song”), Louise Mandrell (“I Can’t Stop Loving You”) and Tracy Lawrence (“Fightin’ Side Of Me”). The songs and artists reflect a varied tapestry of creative influences to highlight the importance of making music. The CD is now available on iTunes, Amazon.com and www.wannaplaycd.org or by calling toll-free (888) 499-4996.

This is a labor of love that is a continuation of Gov. Huckabee’s support of the efforts of the National Association of Music Merchants (NAMM) Foundation’s Wanna Play Fund, which provides musical instruments to schools and other music programs across the country, allowing many who otherwise couldn’t afford instruments to enjoy the fun and proven benefits of playing music.


The NAMM Foundation’s Wanna Play Fund stems from a national public awareness campaign called Wanna Play?, created by NAMM to educate people of all ages about the many social and wellness benefits of making music. Wanna Play? endorsers include actors, authors, musicians, sports figures, executives, politicians and personalities who play a musical instrument. More than 100 celebrities currently support the campaign, including Gary Sinise, Jack Black, Isaac Slade, Sara Bareilles, Robert Downey, Jr., and John Legend.

“Aaron Tippin’s cornerstone song 'I Wanna Play' will hopefully become a tune that is not only heard by millions, but helps place instruments in the hands of children,” said Gov. Huckabee. “Music changed my life when I got my first guitar at age 11 and it’s been changing my life ever since. I still play and have more fun doing it now than ever before. I’m confident that people will love the variety and the quality of the music on the CD, but this gift of music is two-fold; folks will also know that with every purchase, 100 percent of the profits will go directly to providing musical instruments to students.”

“I Wanna Play” is an original song written by Aaron and Thea Tippin, featuring Mike Huckabee on bass and a special vocal appearance by the children from W.O. Smith Nashville Community School. Huckabee continued, “This album was truly an experience of a lifetime; we have such talent associated with the CD—including major music legends—it’s a dream come true for me to be part of this and the proceeds from it will help to make dreams come true for young hopefuls.”

Tippin echoed Huckabee’s sentiments. “Since this project was in its infancy, Gov. Huckabee, myself and my good friend James Stroud have had the same goal: to shine a light on the need for music education and do our part to get children excited about music from an early age,” he said. “Music, whether playing an instrument or singing in church, opens the doors to creativity, self-expression and confidence—all of which are vital elements in health, behavior and social circles for children and adults. I get to see the impact of my music, whether it be from the smiling faces in the audience in front of me, or a letter written from a soldier. The NAMM Foundation’s objective of improving the quality of music education in America's public schools and raising public awareness surrounding the importance of music education for our nation's youth is a standard that I’m proud to support.”

“Research shows conclusively that kids who play music and sing do better in school and in life,” said NAMM President and CEO Joe Lamond. “We are so grateful to Gov. Huckabee, Aaron Tippin, James Stroud and the host of amazing artists who made this project possible.” He continued, “Kids that are either troubled, or merely not enamored with school studies, often light up over a musical instrument. There is transforming power in music—from improving academic performance in math and other disciplines to providing a positive alternative to mischief.”

Research shows that playing benefits children and teens in a variety of ways. Picking up an instrument positively affects the development of children's cognitive skills, builds confidence, self-discipline and inspires creativity. Playing music can help to increase productivity and help kids and teens connect socially with their peers. Music education is vital for children to reach their full academic and social potential.

I Wanna Play!: An Album To Put Musical Instruments Into The Hands Of Every Child In America project is the result of collaboration involving some of the biggest names in the music business, the Victory College Foundation and the NAMM Foundation. The CD is now available on iTunes, Amazon.com and http://www.wannaplaycd.org/ or by calling toll-free (888) 499-4996.

About NAMM Foundation

The NAMM Foundation is a non-profit organization with the mission of advancing active participation in music making across the lifespan by supporting scientific research, philanthropic giving and public service programs from the international music products industry. For more information about The NAMM Foundation, please visit http://www.nammfoundation.org/.

Friday, October 15, 2010

Fall 2010 Musicals Around Monroe County

Here are the musicals being presented in the schools around Monroe County this fall.  If we are missing one from your district, please let us know!
  • November 4 - 6 - The 25th Annual Putnum County Spelling Bee - Webster Schroeder High School
  • November 12 - 14 - Peter Pan - Irondequoit High School (Dake Junior High Musical)
  • November 18 - 20 - Disney's Alice in Wonderland Jr. - Twelve Corners Middle School, Brighton
  • November 18 - 20 - Science Fair: The Musical! - Churchville-Chili Middle School Auditorium
  • November 19 - 21 - The Sound of Music - Greece Arcadia High School

Wednesday, October 13, 2010

...and We're Back

After a quite hectic beginning of the year, we've finally cleared up all the backlog of requested loans, so things should be a bit more timely from now on.  I hope that the beginning of all of your year's have been great.

The library took in a record number of requests in mid-August starting with over 140 titles for NYSSMA festivals across New York State.  Unfortunately, getting all of those ready for shipment (including any needed repairs to the music) ran into all of the requests from the school districts and things got a little bogged down.  I've already addressed the situation with NYSSMA and they have agreed to move back the ordering from the various zones so that the music requests get to the library a couple of weeks sooner starting in 2011.  Hopefully this will alleviate the overlap between NYSSMA festivals and the districts start-of-year orders.

The library has now grown to 4,100 titles (that's up from 3,100 when I took over in 2006) and will continue to grow, so make sure you check back here at the Library News blog on a regular basis.  Also, don't forget that you can always get sample copies of a piece for your review to determine if it is suitable for your ensamble. 

Thursday, October 7, 2010

New Acquisitions: October 7, 2010

The following are new pieces that we have added to the Music Library since July 30. The vast majority of the band pieces are suited for younger bands (Grade 1 to 1-1/2).

Chorus
  • C-2217 - Sisters (My Girls, No. 3) by Gwyneth Walker & Lucille Clifton (Treble Cleff/SSA/72 copies)
  • C-2355 - Goin' Home (from the Largo of the Symphony "From the New World") by Antonin Dvorak, adapted by William Arms Fisher (Oliver Ditson/SATB/54 copies)
Band
  • N-1454 - Freedom Song by Sigvald Norman (Studio 224/1 set)
  • N-1455 - The Riddle Song, Traditional, arranged by Mike Leckrone (Studio 224/1 set)
  • N-1456 - Rigaudon by Henry Purcell, arranged by R. Christian Dishinger (Studio 224/1 set)
  • N-1457 - The Climate, Traditional, arranged by Sammy Nestico (Studio 224/1 set)
  • N-1458 - Jessamine Station Overture by Jim Curnow (Studio 224/1 set)
  • N-1459 - Down in the Valley, Traditional, arranged by Carroll DeCamp (Studio 224/1 set)
  • N-1460 - Li'l Liza Jane, Traditional Old Southern Song, arranged by Sammy Nestico (Studio 224/1 set)
  • N-1461 - Lady Luck by Sammy Nestico (Studio 224/1 set)
  • N-1462 - In a Crystal Ball by William Svarda (Studio 224/1 set)
  • N-1463 - The Heart of Midlothian, Traditional, arranged by William Svarda (Studio 224/1 set)
  • N-1464 - He Can Do It by Peter Udell & Gary Geld, arranged by Sammy Nestico (Mourbar-Studio 224/1 set)
  • N-1465 - In the Navy by Jackques Morali, Henri Belolo & Victor Willis, arranged by Paul Cook(Scorpio Music/1 set)
  • N-1466 - John Henry, Traditional, arranged by Michael Davis (Neil A. Kjos/1 set)
  • N-1467 - A Hiking Song, Traditional, arranged by James D. Ployhar (Belwin Mills/1 set)
  • N-1468 - Prelude Through All Major Scales by Frank Erickson (Belwin/1 set)
  • N-1469 - Jeffy's Blues by Dennis Sterner (Shawnee Press/1 set)
  • N-1470 - Jumpin' Jacks by Mitchell Bender (Shawnee Press/1 set)
  • N-1471 - Celtic Suite by Herbert W. Fred (Shawnee Press/1 set)
  • N-1472 - Serenade by Gabriel Pierne, arranged by Alfred Reed, solo revised and edited by Don McCathren (Shawnee Press/1 set)
  • N-1473 - Hill Songs, Traditional, arranged by James Andrews (Shawnee Press/1 set)
  • N-1474 - Rondo Marziale by John O'Reilly (Alfred/1 set)
  • N-1475 - Christmas Journey, Traditional, arranged by Sandy Feldstein (Alfred/1 set)
  • N-1476 - Lone Star Overture by John O'Reilly (Alfred/1 set)
  • N-1477 - Jazz Waltz by Gerald Sebesky (Alfred/1 set)
  • N-1478 - Jazz in a Mellow Mood by John Kinyon (Alfred/1 set)
  • N-1479 - Rollicking Reeds by Nick Contorno (Hal Leonard/1 set)
  • N-1480 - I'll Always Remember, Adapted from Pomp and Circumstance by Edward Elgar, adaptation and arrangement by Ed Lojeski, band accompaniment by Frank D. Cofield (Hal Leonard/1 set)
  • N-1481 - Intrada & Rondo by Ray Luke (Ludwig/1 set)
  • N-1482 - Chinatown Shuffle by Jacques Rizzo (Bourne/1 set)
  • N-1483 - Strolling on a Spring Day by Harry Sosnik (Luverne Publications/1 set)
  • N-1484 - Procession by Robert H. Pearson (Luverne Publications/1 set)
  • N-1485 - The Cuckoo by A. Arensky, arranged by Harlan Powell (Pro Art/1 set)
  • N-1486 - Noel! Noel!, Traditional French Carols, arranged by Henry Pharmer (Pro Art/1 set)
  • N-1487 - Contradance No. 1 by Ludwig Van Beethoven, arranged by Wally Johnson (Pro Art/1 set)
  • N-1488 - John Henry, Traditional, arranged by Edward McLin (Pro Art/1 set)
  • N-1489 - Die Fledermaus, Overture by Johann Strauss, arranged by Jay Wallace (Pro Art/1 set)
  • N-1490 - Lady Bug by Sigvald H. Norman (Pro Art/1 set)
  • N-1491 - Menuet A L'Antique by Ignacy Paderewski, arranged by Kenneth Henderson (Pro Art/1 set)
  • N-1492 - Maypole Dance by Bela Bartok, arranged by Don Schaeffer (Pro Art/1 set)
  • N-1493 - The Preacher (I Ain't Gonna Study War), Traditional, arranged by Don Schaeffer (Pro Art/1 set)
  • N-1494 - Panis Angelicus by Ceasar Franck, arranged by Paul McConnell (Pro Art/1 set)
  • N-1495 - Preacheer Man by Lee Adamski (Pro Art/1 set)
  • N-1496 - Onward! America, Various Composers, arranged by Clark Gregory (Pro Art/1 set)
  • N-1497 - Raisins and Almonds, Traditional Jewish Melody, arranged by Henry Pharmer (Pro Art/1 set)
  • N-1498 - Lolly-Too-Dum, Traditional American Folk Song, arranged by Pharmer, Henry (Pro Art/1 set)

Monday, August 2, 2010

New Acquisitions: July 30, 2010

The following are new pieces that we have added to the Music Library since June 4.  The vast majority of these band pieces are suited for younger bands (Grade 1 to 1-1/2).

Chorus
  • C-2292 - Yesterday/Michelle (Medley) by John Lennon & Paul McCartney, arranged by Eric Paulson (Alfred/SATB or SAB/32 copies)
  • C-2293 - When I Fall in Love by Victor Young & Edward Heyman, arranged by Kirby Shaw (Hal Leonard/SAB/63 copies)
  • C-2294 - We Are the Music by Sherri Porterfield (Belwin/SAB/16 copies)
  • C-2295 - The Tree of Peace by Fred Bock & John Greenleaf Whittier (Fred Bock Music/SAB/48 copies)
  • C-2296 - Too Young by Sid Lippman & Sylvia Dee, arranged by Greg Gilpin (Shawnee Press/SATB/19 copies)
  • C-2297 - That's What Friends Are For by Burt Bacharach & Carole Bayer Sager, arranged by John Higgins (Alfred/3-Part Mixed/47 copies)
  • C-2298 - Thank You For the Music by Benny Andersson & Bjorn Ulvaeus, arranged by Ed Harris (Jenson/3-Part Mixed/17 copies)
  • C-2299 - Twentiana, Various Composers, arranged by Hawley Ades (Shawnee Press/SATB/17 copies)
  • C-2300 - Swingin' Chariot - Traditional Spiritual, arranged by Ed Wells (Somerset Press/SATB/57 copies)
  • C-2301 - Speak Up! by Luigi Zaninelli (Shawnee Press/3-Part Mixed/24 copies)
  • C-2302 - Songs Are in the Air by Sue Kaplan & Bill James, arranged by Jill Gallina (Shawnee Press/SAB/38 copies)
  • C-2303 - Kum Ba Ya, Traditional African Folk Tune, arranged by Douglas E. Wagner (Voices Unlimited-Heritage Music Press/3-Part Mixed/68 copies)
  • C-2304 - Somewhere Out There by James Horner, Barry Mann & Cythia Weil, arranged by Ed Lojeski (Hal Leonard/SSA/26 copies)
  • C-2305 - Take These Wings by Don Besig & Steve Kupferschmid (Shawnee Press/SAB/14 copies)
  • C-2306 - We May Never Pass This Way Again by James Seals & Dash Crofts, arranged by Roger Emerson (Jenson/SATB/13 copies)
  • C-2307 - I Feel Liike Travelin' On, Traditional, arranged by Don Wyrtzen (Singspiration/SATB/17 copies)
Band
  • N-1400 - Tinsel Time by Frank K. Nelson (Neil A. Kjos/1 set)
  • N-1401 - This Train... by Frank Nelson (Neil A. Kjos/1 set)
  • N-1402 - Loma Alta by William H. Hill (Neil A. Kjos/1 set)
  • N-1403 - Sunset Glow by Charles Minelli (Bourne/1 set)
  • N-1405 - Odeon by Mitchell Bender (Lake State/1 set)
  • N-1406 - La Flauta Fiesta by Gregory Kerkorian (Lake State/1 set)
  • N-1407 - Tom-Tom Foolery by Lloyd Conley (Studio 224-Molenaar Edition/1 set)
  • N-1408 - Nobodyes Gigge by Richard Farnaby, transcribed by R. Christian Dishinger (Studio 224/1 set)
  • N-1409 - Petite Jeanette by Bill Holcombe (Charter/1 set)
  • N-1410 - Two Intermezzi by Jean-Baptiste Lully, arranged by Wayne Livingston & Leland Forsblad (Theodore Presser/1 set)
  • N-1411 - Little Suite by Bela Bartok, arranged by Henk Van Lijnschooten (Charles Hansen/1 set)
  • N-1412 - Tambourine by Paul Yoder (Marks Music/1 set)
  • N-1413 - Little Grieg Suite by Edvard Grieg, arranged by Andrew Balent (Warner Brothers/1 set)
  • N-1414 - Menuet, K164 by Wolfgang Amadeus Mozart, arranged by Ronald C. Dishinger (Medici Music Press/1 set)
  • N-1415 - Traumerei by Richard Strauss, arranged by Robert Norman (Staff/1 set)
  • N-1416 - Melody (Aria) by Balden Bembo, arranged by Lloyd Conley (Columbia/1 set)
  • N-1429 - Open Country by Robert Baler (Kendor/1 set)
  • N-1430 - Siesta! by Norman Ward (Kendor/1 set)
  • N-1431 - Lonely Afternoon by Richard Maltby (Kendor/1 set)
  • N-1432 - Peace and Love by Kloman Schmidt (Kendor/1 set)
  • N-1433 - Moon Over the Mesa by Richard Maltby (Kendor/1 set)
  • N-1434 - Prelude and March by Donald Lewellen (Kendor/1 set)
  • N-1435 - The Little Country Band by James Christensen (Kendor/1 set)
  • N-1436 - A Christmas Waltz by James Nichols, arranged by Art Dedrick (Kendor/1 set)
  • N-1437 - Blow, Ye Winds, Traditional Sea Chantay, arranged by Valentine C. Anzalone (Kendor/1 set)
  • N-1438 - Quiet Valley by Lloyd Conley (Kendor/1 set)
  • N-1439 - A Ceremonial Prelude by Marcel G. Franks (Kendor/1 set)
  • N-1440 - Priere a Notre Dame by Leon Boellmann, arranged by John Short (Kendor/1 set)
  • N-1441 - Polka Pizzaz by Lloyd Conley (Kendor/1 set)
  • N-1442 - Pastorale by Lloyd Conley (Kendor/1 set)
  • N-1443 - Golden Sands by John Swan (Kendor/1 set)
  • N-1444 - Good Night by Lloyd Conley (Kendor/1 set)
  • N-1445 - Holiday Sleigh Ride by Lloyd Conley (Kendor/1 set)
  • N-1446 - Phantasy by Gregg Mathewson (C.L. Barnhouse/1 set)
  • N-1447 - Rock Til' Ya Drop by Andy Clark (C.L. Barnhouse/1 set)
  • N-1448 - A Ridiculous Rondo by Kenneth Whitcomb (C.L. Barnhouse/1 set)
  • N-1449 - Fireball by Kenneth Whitcomb (C.L. Barnhouse/1 set)
  • N-1450 - Donkey Dance by Gerald Sebesky (C.L. Barnhouse/1 set)
  • N-1451 - Golden West Girls, Traditional, Arranged by Kenneth Henderson & Albert Stoutamire (C.L. Barnhouse/1 set)
  • N-1452 - The Harmonica Player by Charles Smith (C.L. Barnhouse/1 set)
  • N-1453 - Capital City by Les Taylor (Studio P/R / 1 set)

Orchestra
  • R-0806 - Symphony No. 2 (in B Minor) by Alexander Borodin (Luck's/2 sets)

Strings
  • S-0213 - Canzona by Giovanni Gabrielli, arranged by F.M. Napolitano (Luck's Music Library/3 sets)

Friday, June 4, 2010

New Acquisitions: June 4, 2010

The following are new pieces that we have added to the Music Library since May 28.  The vast majority of these band pieces are suited for younger bands (Grade 1 to 1-1/2).

Band
  • N-1370 - Nashville Celebration by Bob Lowden (Kendor Music/1 set)
  • N-1371 - Martian Music by Walter Skolnik (Kendor Music/1 set
  • N-1372 - Three to Get Ready by James Christensen (Kendor Music/1 set)
  • N-1373 - Light and Easy by Richard Fote (Kendor Music/1 set)
  • N-1374 - Light Vibrations by Sammy Nestico (Kendor Music/1 set)
  • N-1375 - Spirtual Jubilee by John Edmondson (Kendor Music/1 set)
  • N-1376 - Country Auction by Marga Reichter (Carl Fischer/1 set)
  • N-1377 - Train in the Night by Ralph Hermann (Carl Fischer/1 set)
  • N-1378 - The Old Vaudeville Band by Doug Hartzell (Edward B. Marks Music/1 set)
  • N-1379 - Tutti Fluty Rag by James D. Polyhar (Belwin Mills/1 set)
  • N-1380 - We Know Cha-Cha by Eric Osterling (Belwin Mills/1 set)
  • N-1381 - Trumpetaffy by Doug Harzell (Shawnee Press/1 set)
  • N-1382 - Two Pieces for Middle School Band by Arthur J. Michaels (Shawnee Press/1 set)
  • N-1383 - Ten Trillion Trills by Arthur Michaels (Shawnee Press/1 set)
  • N-1384 - Dance on Three Legs (An Adventure in 5/4) by Ross Hastings (Alfred/1 set)
  • N-1385 - Old St. Nick Takes a Rockin' Trip, Traditional, arranged by Jack Laurett (Alfred/1set)
  • N-1386 - Two Contemporary Dances by Wally Johnson (Pro Art/1 set)
  • N-1387 - 7-Latin (2nd Movement, 7th Symphony) by Ludwig Beethoven, arranged by Marvin Rosenberg (Pro Art/1 set)
  • N-1388 - Minuet (from Don Juan) by Wolfgang Amadeus Mozart, arranged by Don Schaeffer (Pro Art/1 set)
  • N-1389 - Theme From Violin Concerto (1st Movement) by Felix Mendelssohn, arranged by Robert Dupre (Pro Art/1 set)
  • N-1390 - Prelude From L'Arlesienne Suite No. 1 by Georges Bizet, arranged by Edward McLin (Pro Art/1 set)
  • N-1391 - Western Medley, Traditional, arranged by Harold W. Rusch (Pro Art/1 set)
  • N-1392 - Waltz Antique by Dmitri Kabalevsky, arranged by Henry Pharmer (Pro Art/1 set)
  • N-1393 - Western Legend by Peter Reynolds (Luverne-Southern Music/1 set)
  • N-1394 - Petite Etude by Charles Carter (Luverne-Southern Music/1 set)
  • N-1395 - Meadowlands, arranged by David Flanders (Luverne-Southern Music/1 set)
  • N-1396 - Dancing Puppet by Harry Sosnik, arranged by David Flanders (Luverne-Southern Music/1 set)
  • N-1397 - A Walting Tune (From Courtship of a Marionette) by N.K. Brahmstedt (Luverne-Southern Music/1 set)
  • N-1398 - Two Gaelic Folk Songs, Traditional, arranged by Thomas Tyra (C.L. Barnhouse/1 set)
  • N-1399 - Count It! by Andy Clark (C.L. Barnhouse/1 set)

Friday, May 28, 2010

New Acquisitions: May 28, 2010

The following are new pieces that we have added to the Music Library since May 21.

Band
  • N-1353 - A-Roving, Traditional Sea Songs, arranged by William E. Rhoads (Shawnee Press/1 set)
  • N-1354 - Americana (An American Folk Song Suite), Traditional, arranged by Luigi Zaninelli (Shawnee Press/1 set)
  • N-1355 - March and Pipe Slipper by Doug Harzell (Shawnee Press/1 set)
  • N-1356 - Beau Soir by Claude Debussy, arranged by Bryan Warner (Pro Art/1 set)
  • N-1357 - Mister 'J' by Ralph D. Phillps (Pro Art/1 set)
  • N-1358 - Menuetto and Trio by Wolfgang Amadeus Mozart, arranged by Bill Baker (Pro Art/1 set)
  • N-1359 - Latin Hustle by Henry Pharmer (Pro Art/1 set)
  • N-1360 - Moment Musical by Franz Schubert, arranged by Kenneth Henderson (Pro Art/1 set)
  • N-1361 - Adagio by Arcangelo Corelli, arranged by Carroll DeCamp (Studio P/R/1 set)
  • N-1362 - The Ballad and the Beautiful by Lloyd Conley (Studio P/R/1 set)
  • N-1363 - The Malcontent Mule by Lloyd Conley (Studio P/R/1 set)
  • N-1364 - American Symphonette No. 2 (First Movement) by Morton Gould, arranged by Paul Yoder (Mills Music/1 set)
  • N-1365 - Ask Not by Meredith Willson, arranged by Howard Cable (Frank Music, 1 set)
  • N-1366 - Bartok Centenniel Suite by Bela Bartok, arranged by Benjamin Suchoff (Sam Fox/1 set)
  • N-1367 - Sweet Tomorrow by Sammy Nestico (Fernwood-Kendor/1 set)
  • N-1368 - Tahquamenon by Bob Bullard (Kendor/1 set)
  • N-1369 - Design for Autumn by Art Dedrick (Kendor/1 set)
  • N-1417 - Norwegian Rhapsody (Second Movement) by Edvard Lalo, arranged by G. Piszel (Pro Musica/1 set)
  • N-1418 - Danse Comique by Jerry Nowak (Big Bells/1 set)
  • N-1419 - Theme From Choral Fantasy by Ludwig Beethoven, arranged by Fred M. Hubbell (Forest R. Etling/1 set)
  • N-1420 - Trinal Dance by Hale Smith (MCA/1 set)
  • N-1421 - Polevetsian Dance by Alexander Borodin, arranged by Maurice Gardner (Staff/1 set)
  • N-1422 - In the Shining of the Stars by Robert Sheldon (C.L. Barnhouse/1 set)
  • N-1423 - American Heritage March by John Edmondson (Queenwood-Kjos/1 set)
  • N-1424 - Ancient Voices by Michael Sweeney (Music Works-Hal Leonard/1 set)
  • N-1425 - Birdland by Josef Zawnil, arranged by Bob Lowden (Hal Leonard/1 set)
  • N-1426 - Korean Folk Rhapsody, Traditional Korean, arranged by James Curnow (Hal Leonard/1 set)
  • N-1427 - Sea Song Trilogy, Traditional, arranged by Anne McGinty (Boosey & Hawkes-Hal Leonard/ 1 set)
  • N-1428 - Aztec Dance by Michael Story (Alfred/1 set)

Friday, May 21, 2010

New Acquisitions: May 21, 2010

The following are new pieces that we have added to the Music Library since April 12.

Chorus
  • C-2212 - Ani Ma'amin, Traditional Hebrew, arranged by Paul Caldwell & Sean Ivory (Earthsongs/Unison/52 copies)
  • C-2213 - The Skye Boat Song, Traditional Scottish, arranged by Bob Chilcott (Oxford University Press/SATB/52 copies)
  • C-2235 - Shenandoah, Traditional, arranged by Paul Basler (Colla Vocce/SAB/110 copies)
  • C-2291 - Chang McTang McQuarter Cat by Libby Larsen (Libby Larsen Publishing/SSAA/52 copies)
Band

  • N-1256 - Paris Sketches by Martin Ellerby (Maecenas Music/2 sets)

  • N-1265 - Riders for the Flag by John Philip Sousa, arranged by Frederick Fennell (Alfred/3 sets) 

  • N-1270 - Lux Aurumque by Eric Whitacre (Hal Leonard/2 sets)

  • N-1271 - Kirkpatrick Fanfare by Andrew Boysen, Jr. (Winger-Jones/2 sets)

Monday, May 17, 2010

Sample Copies For Summer

Just a reminder that the Music Library offers our music sample service where member districts may borrow single copies of pieces for evaluation.  This is a great thing to do over the summer when you are away from the pressures of the classroom.

Ordering samples is the same as ordering whole pieces.  Simply send the list of items that you would like to review to Roger Wink via the e-mail system or to roger_wink@boces.monroe.edu.  If you are ordering an instrumental piece, please let us know if you need all parts or you would prefer just the score.

We will get the pieces out to you before the end of the school year.  All that we ask is that you return the copies either during the summer when you are done or on your first day back at school.  This is especially important with instrumental pieces as we may need the piece for AAS.

Thursday, May 6, 2010

Six Monroe County Districts Named As Best Communities for Music Education

Six districts in Monroe County have been designated "Best Communities for Music Education" by the National Association of Music Merchants (NAMM).  Per the press release:
Amid a dramatic backdrop of school budget cuts, the NAMM Foundation today announced the results of its 11th annual “Best Communities for Music Education” survey, which acknowledges schools and districts across the U.S. for their commitment to and support of music education in schools. The announcement came today as a part of NAMM's “National Wanna Play Music Week,” (May 3-7) a week-long promotion designed to encourage people of all ages and skill levels to experience the proven benefits of playing music.
Overall, 175 districts from thirty states were given the designation, including a record 74 from the state of New York.

Congratulations to the following Monroe County districts:
  • Brighton Central School District
  • Hilton Central School District
  • Pittsford Central School District
  • Rush-Henrietta Central School District
  • Webster Central School District
  • West Irondequoit Central School District
Other districts in surrounding counties that received the designations include:
  • Albion Central School District
  • LeRoy Central Schools
To view the full press release and list of honored schools, go to the NAMM website.

Monday, April 26, 2010

Advocacy Alert!

The NYSSMA website has made a call for action on two proposals made by the New York State Board of Regents. 
There were two proposals discussed at the last Board of Regents meeting held on Monday and Tuesday, April 19-20, 2010 that are of serious concern to NYSSMA. President Dan Mosher sent a letter outlining our concerns and position on this matter to Dr. David Steiner, Commissioner of Education. It was also copied to the Board of Regents, John King, Deputy Commissioner and David Frey, Chair of the Higher Education Committee.

The first is a request to allow school districts to select any one or two arts disciplines (Music, Visual Art, Theater or Dance) to fulfill the one unit arts requirement at the middle school level. Currently, 7th and 8th graders must complete ½ unit of music and ½ unit of art. If this proposal is approved, students could fulfill the requirement without taking music or art.

The second proposal is for an endorsement for elementary teachers (K-2) to teach visual and performing arts after taking 12 – 15 arts credits in order to obtain an “arts annotation.” This was discussed by the Committee on Higher Education on Tuesday.

NYSSMA is strongly opposed to both of these proposals. We do not object to added opportunities for students in dance and drama, but do not believe that they should replace established music and art programs. We support classroom teachers supplementing the work of arts teachers, but do not believe that 12 – 15 hours of “arts” courses will prepare them to be the sole provider of music instruction during such a critical stage of a student’s early development. We believe that the implementation of these proposals at the school level will have serious negative effects on students.
To see additional information on these issues and President Mosher's letter, please go to the NYSSMA website.

Monday, April 12, 2010

New Acquisitions: April 9, 2010

The following are new pieces that we have added to the Music Library since March 26.

Band
  • N-1345 - A Song of the Sea by Rex Mitchell (Ludwig/1 set)
  • N-1346 - Atropos by Lawrence Weiner (Ludwig/1 set)
  • N-1347 - Music Belongs by Mary Ann Milidantri, arranged by Norman Ward (Kendor/1 set)
  • N-1348 - Minuet Gothique (From Suite Gothique) by Leon Boellmann, arranged by John Short (Kendor/1 set)
  • N-1349 - Le Petit Rondeau by Alden Estes (Kendor/1 set)
  • N-1350 - At the Hop by Aruthur Singer, John Madara & David White, arranged by Michael Sweeney (Hal Leonard/1 copy)
  • N-1351 - Land O' Goshen! by Leland Forsblad (Hal Leonard/1 set)

Wednesday, March 31, 2010

Area High School Jazz Bands to Play Rochester International Jazz Festival

A number of area high school jazz bands will be playing on the Jazz Street Stage (Gibbs Street at East Avenue) at this year's Xerox Rochester International Jazz Festival.  This year's event runs from June 11 through June 19.

Artists from around the world and in many different genres will grace the stage at this, the 9th annual event.  Among the familiar names are Gladys Knight, Herbie Hancock, Jeff Beck, Keb' Mo', John Pizzarelli, Mose Allison, Stanley Jordan, Gap Mangione, Jane Moneit and Booker T. & the MG's.

The schedule for the high school jazz band shows (4:30 PM start time execept for June 12 & 19 when the start time is 3:45 PM):
  • June 11
    • Brighton High School Jazz Band
    • Hilton High School Jazz Band
  • June 12
    • Honeoye Falls Lima High School Jazz Band
    • Buffalo Academy of Visual and Performing Arts Jazz Band
    • Pittsford Sutherland Jazz Band
  • June 13
    • Greece Arcadia HS Jazz Band
    • Newark High School Jazz Band
  • June 14
    • West Irondequoit Jazz Band
    • Webster Thomas Jazz Band
  • June 15
    • Greece Athena High School Jazz Band
    • Spencerport High School Jazz Band
  • June 16
    • Eastridge High School Jazz Band
    • School of the Arts High School Jazz Band
  • June 17
    • Rush Henrietta High School Jazz Band
    • Greece Olympia High School Jazz Band
  • June 18
    • Fairport High School Jazz Band
    • Webster Schroeder High School Jazz Band
  • June 19
    • Gates-Chili High School Jazz Band
    • Brockport High School Jazz Band
    • Penfield High School Jazz Band

Friday, March 26, 2010

New Acquisitions: March 26, 2010

The following are new pieces that we have added to the Music Library since March 19.

Band
  • N-1283 - Warm Winds by James Christensen (Hal Leonard/1 set)
  • N-1284 - Second Concerto by James D. Ployhar (Belwin/1 set)
  • N-1285 - Sinfonia (from Cantata No. 156) by Johann Sebastian Bach, arranged by Willy Hautvast (Molenaar/1 set)
  • N-1286 - Tres Jolie by Emil Waldteufel, arranged by Kenneth Henderson (Pro Art/1 set)
  • N-1287 - Two Classic Hymns (Now Let Every Tongue Adore Thee/On Our Way Rejoicing) by Johann Sebastian Bach/Franz Joseph Haydn, arranged by Henry Pharmer (Pro Art/1 set)
  • N-1288 - To a Wild Rose by Edward MacDowell, arranged by Oliver Richards (Pro Art/2 sets)
  • N-1289 - Tambourine Ramble by Andrew Balent (Bourne/1 set)
  • N-1290 - Slide by Slide by Ron Dekker (Shawnee Press/1 set)
  • N-1291 - Seasons (Inspired by Pachelbel's Canon in D) by Charles Fox & Ed Newmark, arranged by James H. Burden (Coumbia - Belwin/1 set)
  • N-1292 - Vocie of Freedom by Jim Kirk, arranged by John Edmondson (TM - Columbia/1 set)
  • N-1293 - Viennese Sonatina No. 1 (First Movement) by Wolfgang Amadeus Mozard, arranged by Jerry Nowak (Big Bells/1 set)
  • N-1294 - Morning by Lloyd Conley (Kendor/1 set)
  • N-1295 - Moondust by Kenneth Henderson (Kendor/1 set)
  • N-1296 - Elegiac Prelude by Walter Skolnik (Kendor/1 set)
  • N-1297 - At the Convent by Alexander Borodin, arranged by Lloyd Conley (Kendor/1 set)
  • N-1298 - Buy My Tortillas, Traditional Chiliean Folk Song, arranged by Lloyd Conley (Kendor/1 set)
  • N-1299 - Around Her Neck She Wears a Yellow Ribbon, Traditional, arranged by Henry Pharmer (Pro Art/1 set)
  • N-1300 - Free and Easy by Theodore Melyan (Pro Art/1 set)
  • N-1301 - Mozart's Theme Number 40 From Symphony Number G by Wolfgang Amadeus Mozart, arranged by Don Sheaffer.
  • N-1302 - Eventide by Arthur DeForest (Edward B. Marks/1 set)
  • N-1303 - Grouse Mountain Lullaby by Stephen Chatman (Edward B. Marks/1 set)
  • N-1304 - Five Foot Two, Eyes of Blue (Has Anybody Seen My Girl?) by Ray Henderson, Joe Young & Sam Lewis, arranged by Jerry Nowak (Hal Leonard/1 set)
  • N-1305 - Early Music Set (Allons, Gay, Gay; What If I Never Speed?; Pase el Agoa, Ma Julieta), arranged by George T. Kirck (Shawnee Press/1 set)
  • N-1306 - Album for the Young (March of the Tin Soldiers; Morning Prayer; Polka) by Peter Ilyich Tchaikovsky, arranged by Jim Curnow (Jenson/1 set)
  • N-1307 - Fayne Would I Wedd by Giles Farnaby, transcribed by R. Christian Dishinger (Studio 224/1 set)
  • N-1308 - Green Grows the Laurel, arranged by Al Cobine (Studio 224/1 set)
  • N-1309 - Gentle Breeze, Traditional West Indies Folk Song, arranged by Lloyd Conley (Studio 224/1 set)
  • N-1310 - Caernarven Castle by Laurie Johnson (Sam Fox/1 set)
  • N-1311 - Benediction by Lawrence Weiner (University of Miami-Sam Fox/1 set)
  • N-1312 - Thunder Mountain by Sidney Carlin, arranged by Wayne Livingston (Carlin/1 set)
  • N-1313 - Glacier Point from The Yosemite Suite by Sidney Carlin, arranged by Wayne Livingston (Carlin/1 set)
  • N-1314 - Easy Come & Easy Go by Richard A. Otto (Byron-Douglas/1 set)
  • N-1315 - Prelude to Act V of the Opera King Medford by Carl Reinecke, arranged by Eric Osterling (Ludwig/1 set)
Jazz

  • J-0208 - Conservation by Robert Watson (Hal Leonard/1 set)
  • J-0209 - Optimism (Sextet) by Steve Davis (Hal Leonard/1 set)
  • J-0210 - Mosaic by Cedar Walton, arranged by Don Sickler (Hal Leonard/1 set)
  • J-0211 - Bit of Heaven by Curtis Fuller, arranged by Don Sickler (Hal Leonard/1 set)
  • J-0212 - Beauty Within by James Williams, arranged by Geoff Keezer (Hal Leonard/1 set)
  • J-0213 - Stolen Moments by Oliver Nelson (Sierra Music/1 set)

Friday, March 19, 2010

New Acquisitions: March 19, 2010

The following are new pieces that we have added to the Music Library since March 12.  The majority of these pieces were acquired through a donations from Rush-Henrietta High School and Burger Middle School and, in most cases, are helping us build the elementary band section of the library.

Choral
  • C-2286 - The Trout (Die Forelle) by Franz Schubert, arranged by Ed Harris (Jenson/Unison or 2-Part/18 copies)
  • C-2287 - The Hands of Time (Brian's Song) by Michel Legrand & Alan & Marilyn Bergman, arranged by Chuck Cassey (Colgems/SSA/19 copies)
  • C-2288 - I Wished to Be Single Again, traditional English Folk Song, arranged by John A. Ricketts (Somerset Press/TTBB/18 copies)
  • C-2289 - Gather Your Rosebuds by C.M. Shearer & Robert Herrick (Southern Music/SAB/77 copies)
  • C-2290 - The Art of the Ground Round by P.D.Q. Bach, arranged by Professor Peter Schickele (Theodore Presser/Mixed-TTBB/31 copies)
Band
  • N-1274 - Vive' la Paris by Albert Stoutamire & Kenneth Henderson (C.L. Barnhouse/1 set)
  • N-1275 - Valmy by Alexander Gretchaninoff (C.L. Barnhouse/1 set)
  • N-1276 - The Tennessee Whistler by Ken Whitcomb (C.L. Barnhouse/1 set)
  • N-1277 - Tamarack Ridge by Bob Lowden (Kendor/1 set)
  • N-1278 - Snow Carol by Robert Baler (Kendor/1 set)
  • N-1279 - Wait Till the Sun Shines Nellie by Harry Von Tilzer, arranged by Lloyd Conley (Kendor/1 set)
  • N-1280 - Western Scenario by John Cacavas (Carl Fischer/1 set)
  • N-1281 - Ticker Tape Parade March by John Edmondson (Hal Leonard/1 set)
  • N-1282 - Tropical Trumpets by John Edmondson (Hal Leonard/1 set)
  • N-1316 - Electric Prelude in Rock by Seth Markham (Byron-Douglas-Alfred/1 set)
  • N-1317 - Chorale and Invention by George Giroux (Luverne Publications-Southern Music/1 set)
  • N-1318 - Proudly We Play by Everett Maxwell, Arranged by Tom C. Rhodes (Southern Music/1 set)
  • N-1319 - Ceremonial Court by Alfred Castle (Luverne - Southern Music/1 set)
  • N-1320 - Chapel Bells, arranged by Don Schaeffer (C.L. Barnhouse/1 set)
  • N-1321 - Gentle Journey by Caesar Giovannini (Charter Publications - Dorabet Music/1 set)
  • N-1322 - Calypso Carnival by Alfred Castle (Luverne - Southern Music/1 set)
  • N-1323 - Theme From Sechs Kinderstucke by Felix Mendelssohn, arranged by Eugene Mitchell (C.L. Barnhouse/1 set)
  • N-1324 - Sun Prairie Overture by Joseph Olivadoti (Rubank/1 set)
  • N-1325 - Theme from Second Piano Concerto by Sergei Rachmaninoff, arranged by Red McLeod (Schmitt, Hall & McCreary/1 set)
  • N-1326 - Shop Class by Richard Spinney (Belwin-Mills/1 set)
  • N-1327 - Suite for Band by Ludwig van Beethoven, arranged by Robert Cray (Edward B. Marks/1 set)
  • N-1328 - Simplicity Band Pak #2 - Songs of the States, arranged by Bob Lowden (The Music Company of North America/1 set)
  • N-1329 - Solfeggio by Carl Phillip Emanual Bach, arrenged by Andrew Burgess (Pro-Art/1 set)
  • N-1330 - Tumbalalaika, Traditional, arranged by Andreew Burgess (Pro-Art/1 set)
  • N-1331 - Still Wie Die Nacht (Calm as the Night) by Carl Bohm, arranged by Wally Johnson (Pro-Art/1 set)
  • N-1332 - Sleep Little Tiny King (A Christmas Calypso) by Don Besig, arranged by Wally Johnson (Pro-Art/1 set)
  • N-1333 - Shout Out Loud! by Leland Forsblad (Hal Leonard/1 set)
  • N-1334 - Scarlet Tree by Robert Doyle & William Coons (Kendor/1 set)
  • N-1335 - Scherzo (from Serenade No. 1) by Johannes Brahms, arranged by John Jay Hilfiger (Kendor/1 set)
  • N-1336 - Skydiver by Art Dedrick (Kendor/1 set)
  • N-1337 - Songs of the American West, Traditional, arranged by Jerry Nowak (Kendor/1 set)
  • N-1338 - Sarabande by Archangelo Corelli, transcribed by R. Christian Dishinger (Studio 224/1 set)
  • N-1339 - Sweet Kitty Klover by Lloyd Conley (Studior 224/1 set)
  • N-1340 - Shannon Girl by R. Christensen and J. Tartaglia, arranged by Carroll DeCamp (Studio 224/1 set)
  • N-1341 - S'cool Room Latin by Clement Wiednmyer (Shawnee Press/1 set)
  • N-1342 - S'cool Room Rock by Richard Maltby (Shawnee Press/1 set)

Thursday, March 18, 2010

Daughters of Nat King Cole Start Foundation for Music Education in South Florida

Timolin and Casey Cole, the twin daughters of legendary singer and pianist Nat "King" Cole, celebrated what would have been their father's 90th birthday on Wednesday, March 17 by announcing a new foundation to help provide music education to children of all ethnic backgrounds, diversities and ages in South Florida.  The Nat King Cole Generation Hope charity will provide money to orgainaztions for instrumental instruction, composition, songwriting and recording arts.

The Cole's explain the foundation on its website:
Our father, the incomparable Nat King Cole, signified true American royalty . . . one of those few entertainers who was everything he seemed and more. He was gifted with a rare blend of technical knowledge and sheer performing artistry topped off with an abundance of showmanship - all the while managing to remain tolerant, gracious and humble to the end. Nat King Cole had a special gift of making what he did look so easy - always in control -always the master. His voice and his music had a universal appeal that was and continues to be of timeless quality. He will forever be recognized and celebrated for the trailblazer that he was in breaking down racial barriers and for his technical and stylistic contributions to the world of music.

While the arts were an integral part of the educational curriculum in his lifetime, today’s youth are art starved. Specifically, in July 2008, the South Florida Sun Sentinel reported that due to plummeting state funding and rising costs such as diesel fuel for buses, Palm Beach County schools needed to find a way to reduce their operating costs by $55.7 million. Several budget cuts were made, including cutting individual school budgets by 3 percent. More often than not, this means budget cuts in extra-curricular activities, such as music education. And, research shows that over 72% of students with a high involvement in music score in the top two quartiles of standardize tests. This is in comparison to the 45% of students with low involvement in music. Music education can also help students learn important life skills such as problem solving, creative thinking and mental discipline.

My twin sister, Casey and I believe our father, by right, has earned his place in history as a true American hero and legend through his contributions to the world of music. We therefore feel the time is right to launch Nat King Cole Generation Hope, Inc. with the goal of inspiring our youth while enriching their lives, through the power of music.
They further explain their mission:
Nat King Cole Generation Hope was created to provide funding for music education in South Florida, reaching children with the greatest need and fewest resources of all ages, ethnic backgrounds and diversities. The Foundation will help to provide musical instruments, field trips, and seminars, as well as instruction in composition, songwriting and recording arts.


One greater goal of the Foundation is to promote the growth and development of children through the study, practice and performance of music. Celebrating creativity and providing the opportunity for young people to be inspired by the transforming power of music is core to our mission. Our objective is to develop and foster self-esteem through individual accomplishment.

Friday, March 12, 2010

New Acquisitions: March 12, 2010

The following are new pieces that we have added to the Music Library since March 5.

Choral
  • C-2252 - In Ecclesiis by Giovanni Gabrieli, edited by G. Wallace Woodworth (G. Schirmer/SATB/71 copies)
  • C-2253 - Friends by Michael W. Smith & Deborah D. Smith, arranged by Mark A. Brymer (Hal Leonard/SATB/50 copies)
  • C-2254 - Madame Jeanette by Alan Murray & Edward Lockton (Carl Fischer/SATB/69 copies)
  • C-2255 - What Child is This?, Traditional, arranged by Jon Roberts (Clayton F. Summy/SATB/53 copies)
  • C-2256 - With a Voice of Singing by Kent A. Newbury (Word Music/SATB/27 copies)
  • C-2257 - Have Yourself a Merry Little Christmas by Hugh Martin and Ralph Blane, arranged by Anita Kerr (Hal Leonard/SATB/48 copies)
  • C-2258 - A Jubilant Hymn by Eugene Butler (Neil A. Kjos/SATB/58 copies)
  • C-2259 - I Wonder as I Wander, Traditional Apalachian Carol, arranged by John Jacob Niles & Lewis Henry Horton (Hal Leonard/SSA/31 copies)
  • C-2260 - Go Tell It On the Mountain, Traditional Spiritual, arranged by H.T. Burleigh (G. Ricordi/SATB/86 copies)
  • C-2261 - Lay Your Head in the Window by Jester Hairston, arranged by Nathan Scott (Lawson-Gould/SATB/64 copies)
  • C-2262 - Why Can't Every Day Be Christmas? by Ray Carter and Paul Tripp, arranged by Aden G. Lewis (Plymouth Music/SA or TB/31 copies)
  • C-2263 - Give a Little Love at Christmas by Don Besig (Shawnee Press/2-Part/21 copies)
  • C-2264 - Christmas Is... by Percy Faith & Spence Maxwell, arranged by Harry Simeone (Shawnne Press/2-Part Treble/41 copies)
  • C-2265 - Christmas Is... by Percy Faith & Spence Maxwell, arranged by Harry Simeone (Shawnne Press/SATB/50 copies)
  • C-2266 - Share the Love Inside of You by Ron Myers, arranged by Larry Norred (Jenson/2-Part/32 copies)
  • C-2267 - I Got the Spirit by Walter Rodby (Somerset Press/SSA/33 copies)
  • C-2268 - I Like Bein' a Kid by Ruth Artman (Hal Leonard/Unison-2 Part/43 copies)
  • C-2269 - It's a Wonderful Thing to Be Me! by Marcy Henchen & Don Besig (Shawnee Press/2-Part Treble/40 copies)
  • C-2270 - The Entertainers by Scott Joplin and Joyce Merman, arranged by Arthur Frackenpohl (Shawnee Press/2-Part Treble/31 copies
  • C-2271 - Carrie Sue From Rocky Fork by Joe Mason, arrangement by John F. Wilson (Somerset Press/Unison or 2-Part/17 copies)
  • C-2272 - The Funny Fifties (Charlie Brown/See You Later Alligator/Yakety Yak) by Jerry Lieber, Mike Stoller and Robert Guidry, arranged by Anita Kerr (Hal Leonard/2-Part Treble/36 copies)
  • C-2273 - Christmas Time is Here by Jay Althouse (Shawnee Press/2-Part Treble/25 copies)
  • C-2274 - It's Time to Ring Those Christmas Bells! by Don Besig, Nancy Price, Gus Levene & Marve Fischer, arranged by Don Besig (Shawnee Press/2-Part/39 copies)
  • C-2275 - Oh Lord, How Excellent Is Thy Name by Benedetto Marcello, arranged by Paul Chase (Harold Flammer/SATB/44 copies)
  • C-2276 - Slumber Song by Max Reger, Martin Boelitz & Ed Teschemacher, arranged by Linda Spevacek (Hal Leonard/SSA/57 copies)
  • C-2277 - Hold On, Traditional Spriritual, arranged by Roger Emerson (Jenson/3-Part Mixed/20 copies)
  • C-2278 - Love is the Answer by Raymond R. Hannisian (Shawnee Press/SSAA/21 copies)
  • C-2279 - Rise Up Singin'! by Kirby Shaw (Hal Leonard/3-Part Mixed/68 copies)
  • C-2280 - Jubilate! Jubilate!, Traditional Russian Air with Words by Samuel Longfellow, arranged by Joyce Eilers Bacak (Jenson/3-Part Mixed/22 copies)
  • C-2281 - In the Bleak Midwinter, arranged by Mac Huff (Hal Leonard/SSA/22 copies)
  • C-2282 - French Noel, Traditional, arranged by Andrea Klause (Hal Leonard/2-Part/44 copies)
  • C-2283 - Dancin' by David and Jean Perry (Shawnee Press/SSA/36 copies)
  • C-2284 - Sound the Trumpet by Franz Schubert, arranged by Jerry Weseley Harris (Plymouth Music-Colla Voce/SSA/39 copies)
  • C-2285 - Trains and Boats and Planes by Burt Bacharach & Hal David, arranged byy Don Muller (Charles Hansen Publications/SSA/29 copies)
Band
  • N-1261 - On a Hymnsong of Lowell Mason by David R. Holsinger (TRN Music/2 sets)
  • N-1262 - Jack Tar March by John Phillip Sousa, arranged by Harold Gore (Harold Gore Publishing, 2 sets)

Friday, March 5, 2010

New Acquisitions: March 5, 2010

N-1257
The following are new pieces that we have added to the Music Library since February 19.

Choral
  • C-2237 - Three Nightsongs by Joshua Shank (Santa Barbara Music/SSAA/84 copies)
  • C-2247 - Rocking, Traditional Czechoslovakian Carol, arranged by John Rutter (Carl Fischer/SATB/62 copies)
  • C-2248 - O Sacrum Convivium by Giovanni Battista Pergolesi, edited by Virginia Stroh and Buryl Red (Walton Music/SATB/57 copies)
  • C-2249 - O Praise the Lord of Heaven by John Rutter (Hinshaw Music/SATB-SATB/70 copies)
  • C-2250 - O Lord, I Bow the Knee of My Heart by William Mundy, edited by Percy M. Young (Broude Brothers/SAATB/57 copies)
  • C-2251 - Lord of Creation by Antonio Vivaldi, edited by Walter Ehret (Harold Flammer/SATB/200 copies)
Band
  • N-1257 - The Olympic Spirit by John Williams, arranged by James Curnow (Hal Leonard/2 sets)
  • N-1272 - Carnival by Paul Basler (Carl Fischer/2 sets) 
Orchestra
  • R-0807 - Die Fledermaus Overture by Johann Strauss, Jr. (Luck's Music Library/4 sets)
  • R-0808 - Zampa Overture by Louis Joseph Ferdinand Herold (Edwin F. Kalmus/3 sets)
Jazz Band

  • J-0207 - Watermalon Man by Herbie Hancock, arranged by Jerry Nowak (Hal Leonard/1 set)
  • J-0220 - Land of Make Believe by Chuck Mangione, arranged by Mike Story (Alfred/1 set) 

Wednesday, March 3, 2010

Marylin Bergman on Creativity and Copyright

This piece is a few years old but it applies today more than ever.  At the time, Marylin Bergman was the head of ASCAP (replaced last year by Paul Williams) and was seeing the loss in revenue to the members of her organization from piracy.  Here, Bergman is mainly addressing piracy of recorded works; however, her words apply just as much to the copying of printed music.
ASCAP PRESIDENT AND CHAIRMAN
MARILYN BERGMAN DELIVERS KEYNOTE
ADDRESS AT ASCAP "I CREATE MUSIC" EXPO

© 2006 Marilyn Bergman

Marilyn Bergman
Los Angeles, CA, Friday, April 21, 2006: ASCAP President and Chairman Marilyn Bergman delivered a powerful keynote address on day two of the ASCAP "I Create Music" EXPO, the only major entertainment industry conference dedicated to songwriting and composing. The standing-room only audience of music creators listened intently as Bergman, a three-time Academy Award-winning lyricist, spoke about what it means to be a music creator in the modern world. Her speech received a standing ovation from the more than 1,000 attendees who gathered at the Hollywood Renaissance Hotel in Los Angeles, CA to attend the sold-out conference.

A transcript follows:

"Good morning. I Create Music. Three simple words... loaded with meaning.

When we began developing this first-ever national conference devoted solely for songwriters and composers, we wanted to give it a name to which everyone could relate. So whether you had just written your first song, or won your first Grammy, you could connect with it. "I Create Music" seemed to say it all. It’s a proud declaration. A mission statement. A career choice. And these days, a line of defense. But we'll get more into that in a minute.

So, what does it mean to create music? Well, first of all, for every songwriter and composer that I know, and I know a few, it means you have no choice. Music chose you. Music is in your blood. It's in your head. It's in your heart. Your earliest memories are music-related. Maybe you were born into a musical family and music was performed on pianos, guitars, violins around your own house. Maybe you picked up an instrument in school and discovered a knack for playing it. Perhaps you fell in love with a song you heard on the radio and wanted to explore its mysterious hold over you. So you bought the music and played it over and over and over-studied its lyrics and its form. Then one day you decided to write your own song.

For many creators, it is just this mysterious and magical side of music that keeps them hooked for life.

Inspiration can strike at anytime:

It can be audible: the clacking of the wheels on a New York subway car, a far-off train whistle.

It can be visual: the shape of a slow moving cloud, a certain smile.

It can be emotional: the sadness in saying goodbye to a friend — a romance that didn't work out.

Ideas can come from anywhere: newspaper headlines, books conversations, dreams -

We music creators learn to remain open to all of these things, for these are our raw materials.

And like a diamond cutter works a raw diamond to make it sparkle, we take the raw materials of our lives — the heartache, joy, remorse, humor, nostalgia, desire, anger, hope - and give it shape, texture and beauty. We create music. We make it shine.

To attempt to do this at all is a noble pursuit. To do it well, to create something that will move people, and last long after you are gone, is a gift.

As music creators, we possess something that mankind simply can't live without: creativity. Creativity isn't something you can hold in your hands. It doesn't grow on trees. If you don't have it, you can't borrow it from someone else. It's a quality that exists in certain talented individuals. And when recognized, nurtured, expressed and harnessed, it can literally change the world.

The value of some products of creativity is easy to quantify. Their effects on our lives clearly measured. An invention such as the wheel or a medical breakthrough such as the polio vaccine are good examples of creativity that have made a clear and lasting impact on the world.

But what about music? Music is a creative product of the mind that affects and often changes people's emotional lives. Sometimes in large ways, but more often in small, intimate ways. How do you begin to measure the value of that?

Music has been used and enjoyed throughout man's history. The invention of newer devices to perform that music, from radio to TV to satellites, has allowed music to proliferate in greater ways with each new invention.

As the Internet rapidly developed, music was the driving force behind the proliferation of new technologies that allowed music to be transmitted with incredible ease.

You could say that it was the very importance of music in the lives of Internet users that created one of the greatest challenges to music creators. And that is the subject of piracy.

Our challenge now is not just to continue creating the music that is used and loved around the world, but to ensure that our right to make a living from our work is protected.

For in this digital age, when transmission of music is easier than ever, when there are corporate forces that aim to devalue our music and, in some cases, steal it outright, when there are new generations of music lovers who aren't taught and who don't understand the concept of copyright, it is up to every songwriter, composer and music publisher to declare the value of your music whenever and wherever possible.

In 1914, a group of prominent, visionary music creators founded ASCAP when they realized that their music was being performed without compensation to the writers. Founding member Victor Herbert brought a lawsuit to Shanley's restaurant in New York City for refusing to pay royalties. The fight took two years and went to the Supreme Court. ASCAP prevailed. And Justice Oliver Wendell Holmes wrote the decision of the Court. He said, "If music did not pay it would be given up. Whether it pays or not, the purpose of employing it is profit and that is enough."

It is hard to imagine how the history of American music in the 20th Century — some of the most popular music in the world - would have developed without the strong copyright protection we've had to preserve value and compensate the creator.

Imagine if Irving Berlin couldn't make a living from his music, and just gave it up.

Imagine if Duke Ellington couldn't make a living from his music, and just gave it.

Imagine if Bruce Springsteen couldn't make a living from his music, and just gave it up.

While there have been challenges to copyright protection throughout much of the last 92 years, ASCAP, I'm proud to say, has remained vigilant in fighting for that protection. We continue to be engaged in helping decision-makers in Washington strengthen their understanding and respect for our right as creators to make a living from our work.

At our membership meeting yesterday, I reported on last year's Supreme Court decision in MGM Studios vs. Grokster, in which the Supreme Court sided 9-0 in favor of copyright holders and against peer-to-peer software providers such as Grokster, Kazaa and Streamcast. The decision sent a clear message that P2P enterprises cannot use the intellectual property of songwriters, composers and other copyright owners as start-up capital for their businesses.

Although this was a significant victory for creators, we are still at a critical crossroads.

These rapid advances in digital distribution are threatening not just music, but all forms of intellectual property: film, literature, software and art. And for those with no concept of intellectual property, such as today's young people, it's a very dangerous thing. That is why I feel it is so important to start educating our young people on the importance of respecting the creative property of those who create music: the composer, lyricist or artist. This education is vital if we believe that creativity is vital and if we want to see it survive.

Most children don't realize that the act of taking someone else's work by downloading it to their computer is wrong. And they most definitely don't equate it with stealing. But that's just what it is. Just as walking out of an art gallery with a painting with out paying for it. Granted, intellectual property is a difficult concept, but it is at the heart of copyright law — a law which is based on providing protection for all those whose livelihood depends on what they create. Violating this law not only hurts them but also impacts a whole line of people in a chain reaction that is spiraling out of control.

The songwriter/composer is hurt, but other people who are hurt include the publisher, the artist, the arranger, the producer, the musician, the sound engineer, the graphic designer, the audio technician, the record store clerk... and the list goes on.

To counter this, the ASCAP Foundation has launched an innovative program called "Creativity in the Classroom," which aims to use a positive, proactive strategy to instill in our young people a system which would serve as a foundation for understanding and valuing intellectual property.

The program educates children, telling them that what they have created is their property; it encourages them to label their creative work with their name and the copyright symbol, a circle with a "c" inside it, including the year, much as they would see on any published creative work.

Young people aren't the only ones who need this education. There are other groups who are out to make a buck who should know better. Some technology companies with the powerful ability to transmit all forms of media quicker and easier too often view the fruits of our creativity as simply files to be downloaded.

Well, we still call it music. We call it art. We call it our livelihood. And to those who attempt to devalue our music in any way, I say to them:

The buck starts here.

Music is a multi-billion dollar global industry. And it would be nowhere without the music creator. The truth is, the world's demand for music just keeps growing. Today, music is performed and used everywhere: radio, film, TV, websites, video games, sports arenas, shopping malls, bars and restaurants, cell phones; wherever there are ears to hear it; there is music.

Why is this? Because music resonates with people on a deep level, levels that we don't even yet understand. It taps into our emotions and connects us not only with each other, but to moments in our lives, both big and small, to places, to things. It enriches us. In our fast-paced, information-overloaded, multi-tasking, over-achieving, technology-obsessed era, music reminds us that we are human.

Today, music is so woven into the fabric of our experience on earth, that it would be hard to imagine life without it.

Fortunately, with a greater need for music, there is a greater need for music creators.

That is where you come in.

You are here at this EXPO because music has chosen you…and you take that seriously. You want to rise to your potential and utilize every opportunity that is available to you.

Well, you've come to the right place. For decades, ASCAP has nurtured our community of songwriters, composers and music publishers by bringing those individuals who have achieved success in the business with those who are just starting out to educate, guide and inspire them.

ASCAP's program of workshops has provided this service to countless numbers of music creators. Many of this year's panelists, some of whom are now top songwriters, film composers and music publishers, are past participants in our programs. So they know the importance of giving back to the music creator community.

They are here for you because they have been in your shoes: ambitious, eager and needing to know what are the best steps to take to get to the next level.

There are also a whole new world of tools and organizations available to assist music creators today, some of them created by ASCAP in response to your needs. Many of them are represented in our exhibition area. I would urge all of you to check them out.

They are here to help.

One last thing I would like to impart to you today is that although writing music can be a solitary affair, the music business is a collaborative one.

And as a lyricist who has spent my whole career collaborating, not only with my husband and co-writer, Alan, but with many wonderful composers over the years, I know full well the creative rewards that can be achieved.

Collaboration can be with another writer or a composer, but it also includes collaborating with those in the industry that also have something to gain from the collaboration: performing artists, music publishers, video game and TV producers, writers of musical theatre productions and filmmakers. The list goes on.

My point is that you are not alone. You are part of a creative community with shared opportunities, challenges, knowledge and experience. That community also includes people who support music creators such as entertainment attorneys, managers, and agents. That list goes on too.

For the next few days, this community will come alive at this EXPO to illuminate, explore and celebrate our craft.

I wish you all a truly enjoyable and most importantly, meaningful experience. If you take what you learn here and put it back into your craft and your careers, I know that the future of music is in good hands."

© 2006 Marilyn Bergman

About ASCAP

Established in 1914, ASCAP is the first and leading U.S. Performing Rights Organization representing the world's largest repertory totaling over 8 million copyrighted musical works of every style and genre from more than 230,000 composer, lyricist and music publisher members. ASCAP also represents the repertories created by the international affiliates of 70 foreign performing rights organizations. ASCAP protects the rights of its members and foreign affiliates by licensing the public performances of their copyrighted works and distributing royalties based upon surveyed performances. ASCAP is the only American Performing Rights Organization owned and governed by its writer and publisher members. http://www.ascap.com/

Arts in the Elementary Classroom Conference


Arts Integration Conference

The Rochester City School District, Department of the Arts
presents:

“Arts in the Elementary Classroom”

Saturday, May 1st, 2010

The conference workshops for in-service and pre-service teachers, teaching artists, school and arts administrators will focus on Arts Integration and how the arts support and enhance ELA, Math, Science and / or Social Studies curricula in grades K-6. The conference workshops will be active, hands-on sessions demonstrating techniques and strategies for successful arts integration. Each session will reflect research-based best practices that engage students and enhance student achievement.

This conference is being held at Saint John Fisher College, 3690 East Avenue, Rochester 14618. Saturday, May 1st, 2010. The Early Registration Fee is $20.00 and must be received by March 31st. Registration fee for those received after March 31 is $30.00. Student registration fee $15.00 with photocopy of student ID.  Continental breakfast and lunch will be provided.

The agenda for the day is as follows:

8:00-8:30 registration and continental breakfast
8:30-10:00 Session I
10:15-11:45 Session II
11:45-12:45 Lunch
12:45-2:15 Session III
2:30-4:00 Session IV

To register, please contact Deborah Harloff at the Rochester City School District Arts Department. 

Quotes from previous conference days:

“I think the Saturday conference was great! It gave us a chance to explore many forms of the arts that we don’t always get exposed to. I loved all the workshops I took and will use many techniques in my classroom. Can’t wait till the next one.”

“The best workshop I have done in years!!”

Session descriptions can be found after the cut.